Bookish Buzz

OMP at SCBWI

Nat, Kate and I (a.k.a. One More Page) and some familiar faces behind us at SCBWI Syd 2019

 

Amelia, Gemma, me and Victoria – pic by Debra Tidball

 

I’m fresh from the bookish buzz that was the Sydney SCBWI Conference, an epic multi-day series of events headed up by everyone’s favourite literary lady, Susanne Gervay! From a series of mini-launches at Beecroft’s The Children’s Bookshop to a mega conference day, a dinner, and a workshop day afterwards, it was full on and fun. There are some excellent summaries of the sessions over on the SCBWI blog, if you want to check them out. And there are some great blog posts by Oliver Phommavanh and Debra Tidball with pics and highlights.

As always, so much of it was all the catching up and meeting new people in the kids’ book industry. Highlights for me included the dialogue masterclass run by Penguin Random House publisher Zoe Walton, an excellent, helpful manuscript critique by Nancy Conescu on my chapter book series, and a great session on author websites, social media and branding via Allison Tait and Valerie Khoo – part pep-talk, part stand-up special! Speaking of Allison Tait, guess who’s the latest guest on our podcast, One More Page?! Except this time, she’s donning her authorial blazer as A.L. Tait, chatting about her two middle grade series. You can take a listen here. So, what else is happening?

Reading:

THE BOOK CHOOK! This is my friend and fellow critique group member Amelia McInerney’s debut picture book with Omnibus/Scholastic, illustrated so vibrantly by Connah Brecon. It’s the hilarious tale of a chicken called Ray who realises he’s not actually a real chook, he’s a drawing in a book! Amelia launched it as one of the 9 ‘speed launchers’ at the SCBWI event, with more events (and more books!) to come.

The Book Chook

 

I’ve also just read a brand new YA thriller called LOVE LIE REPEAT by Catherine Greer, which has a really compelling (if not sinister) voice. It’s set in Sydney in the world of privileged, private school teens where all is not as picture perfect as it seems. Totally recommend!

My next read (for my adult book club) is Jane Harper’s THE LOST MAN. Her debut THE DRY was one book we all actually loved, which rarely happens! So I’m really looking forward to this one.

Loving:

Kids’ book podcasts (I mean beyond One More Page)! I now have a constant feed full of awesome kidlit inspiration, whether it’s hearing about the latest middle grade reads or words of wisdom from top MG authors on Middle Grade Mavens, to in-depth advice on the craft and business of writing on Tania McCartney’s The Happy Book. There’s also a ‘vodcast’ to either watch or listen to (innovative, much?!), The KidLit Club with authors Adrian Beck and Sally Rippin. Each of these podcasts has its own personality and feel, and I’m so pleased One More Page is part of this new wave of kids’ book reviewing, interviewing and all-round fandom!

The Happy Book podcast

Anticipating:

Anna Walker newness!!! LOTTIE AND WALTER is almost here, written and illustrated by my (and possibly everyone’s) picture book idol. I can’t *wait* for this to grace my bookshelf! I had a sneak peak at The Children’s Bookshop at the SCBWI speed launch event, and it’s stunning in every way. Yay!

Lottie and Walter

What else? More books, more launches, more writerly things. I’ll be heading to the launch of Aura Parker’s beautiful new bug book, COCOON soon (a bigger launch, post-SCBWI mini-launch, where Aura presented the book in a really clever way, relating metamorphosis to the kids’ book creating journey).

The Creative Kids’ Tales festival is coming up (my first!) which I’m really looking forward to – author talks on tap. Then not too long after, it’s time for *another* writers’ conference, KidLitVic in Melbourne. I’ve been every year so far and to be honest, was thinking I need to reign in the conference attending (and spending) but once the program was out, do you think I could help myself? It also ties in with a Scribbles Masterclass run by author Jen Storer, so there’s that, too. Of course, I totally have to go! Maybe I’ll see you there?

Exciting Book News!

It’s happened!!! I officially have a picture book on its way!

Super excited to share that Melbourne-based publisher Ford Street will be bringing one of my favourite picture book manuscripts to life. I’ll share more about the book closer to time, but basically this came about due to a pitching session at CYA Conference with Meredith Costain (also the writerly brains behind huge kidlit hits like the Ella Diaries series, which I’ve long admired). Looking forward to working with publisher Paul Collins and my future mystery illustrator!

The CYA Conference has played a huge role in my writing journey so far – it was one of the very first writing events I ever attended, and has connected me with lots of great writers, illustrators and publishers over the last few years. AND it was even the subject of our podcast One More Page‘s first ever event special (you can listen to it here). I highly recommend it to anyone setting out on their kidlit journey.

Speaking of One More Page, we’ve just cracked 12,000 downloads and we’re recording the final couple of episodes of 2018. It’s been so much fun, and to top off a great first year of podcasting we’ve been invited to be guest speakers at the SCBWI Sydney Christmas party, woo hoo! If you’re a Sydney SCBWI-ite, hope to see you there!

How to hold a DIY Writing Retreat

Could there be a more idyllic front yard?!

Writing retreats: super productive, accelerated write-athons, or an excuse to get together with friends and be a bad caffeine-fuelled cliche full of cheese, wine and chats? Um, is it okay if it’s a bit of both? Because that’s pretty much what my recent weekend away with four writing friends was all about. And as far as I’m concerned, it was a success! Here are the ins and outs of our three-day stay in beachside Patonga, which might be useful if you’re thinking of holding your own DIY writing retreat.

What worked best:

– Rules schmoolz – we kept the structure of the weekend very loose, which allowed for random bursts of writing, workshopping each others’ ideas, brainstorming difficult plot points and critiquing each other’s work whenever, interspersed with beach walks, chats and endless tea. It was a great mixture of work and fun, and something with a more rigid timetable just wouldn’t have had the same vibe. I think this comes down to personality though, and the way you work best. It also meant we wrote and edited when ideas struck rather than because we were meant to.

– Word sprints – You may have seen #500in30 floating around on social media – it was basically just like that. This was where we started a timer for 30 minutes and wrote non-stop, with the aim of reaching at least 500 words. While of course you can complete these in your own time and space,  doing them together felt even more productive. Something about being accountable and not wandering off to the fridge or kettle, perhaps. We did these towards the end of our stay which worked well, as it put all the ideas generated through brainstorming and workshopping onto paper. And speaking of – some people typed while others literally used pen and paper. Whatever works for you!

– Critique swaps – at random times throughout the weekend we’d break off into twos for a critique swap, whether it be a picture book manuscript or a chapter or two. Without printers on hand, we did this by basically swapping laptops and just marking up comments on the document.

What didn’t:

– Not enough ‘stuff’ – It’s hard to find fault with such a great weekend (thanks guys!) but if thinking about it from a ‘next time’ point of view, maybe staying somewhere with more ‘stuff’ would be fun, albeit distracting. We went to a café a few times, but had to drive to the next town over (Pearl Beach), so staying somewhere with a few cafes and shops to explore in periods of down time (let’s call it ‘thinking time’) would be fun. And somewhere to go for dinner would be good, too. The one place to eat out in Patonga (a waterfront pub) was closed for renovations, so we mostly ate food we brought with us (chocolate is a meal, right?), and one night picked up Thai from a couple of suburbs away.

Things to look for in a rental property:

We rented a house via Airbnb, and while it wasn’t the cheapest house around, it felt like the perfect pick. We wanted a place that was within 1-2 hours drive for all of us, coming from various parts of Sydney and surrounds. Patonga on the lower Central Coast fitted the bill; alternatives could be the Southern Highlands or the Blue Mountains.

Hamptons-ish, no?

Space
We were fortunate enough to stay in a fantastic four-bedroom, two-bathroom house spread over two levels, so there was plenty of space for everyone. Despite two people having to share one room, it never felt too crowded. Most of our time was spent in the open plan dining/lounge room and there was lots of space to spread out – two big couches, a dining table and a smaller table with chairs, so everyone had their own writing spot. There was another dining set on the outdoor deck which would have been great in warmer weather. A smaller living area wouldn’t have worked quite as well, so I’d definitely prioritise a spacious communal area over big bedrooms.

Features
Conveniences like WiFi, a dishwasher and heating throughout the house also made the stay a comfortable one, with the kitchen situation great for the gazillions of coffee cups used over the weekend. Without a dishwasher it would have been a whole lot more annoying, with domestic chores taking away from writing time. Another plus was having linen included, so everyone didn’t have to lug their own sheets and towels there and back.


Location

A place on a busy road wouldn’t have been anywhere near as relaxing as our quiet street in a relatively isolated village. Think about the noise factor when picking a place – it’s a writing retreat after all, and the sound of lapping waves is more conducive to thinking time than party noise and traffic. Although as mentioned above, it can be worth considering if you want to be near village shops for cafes, food and other distractions. Or not!

Too budget-blowing? Try these:

A DIY writing retreat certainly doesn’t have to involve forking out for a fancy beach house, as fun and indulgent as that can be. It doesn’t have to cost much, or even anything at all. Other alternatives are:

– A day (or stay) at a writing friend’s house – preferably one with a big communal space, whether it be a lounge room, back deck or yard, with plenty of spots to sit.
– A few hours at a café – especially one with a communal table and nice staff who don’t seem annoyed you’ve outstayed your welcome (you should totally be on your fifth flat white by now …).
– A room at your local writers’ centre – if you’re a member of a writer’s centre, check their room rental policy. Many allow members to use their rooms free of charge.
– A day out and about – if you’re looking for story ideas or writing prompts, you could meet at an art gallery, museum, market or fun park (SCBWI sometimes runs sessions like these called Scribble and Sketch). Wander around and stop to observe for a while, and use your senses to generate scenes, or people watch for character ideas. Public transport journeys alone can be great for this. The possibilities are endless!

5 Fun Things – a book launch, awards and quirky new reads

1

Our kids’ book podcast One More Page was just announced a finalist in the Australian Podcast Awards ‘Best Newcomer’ category for 2018! Considering we only launched recently (episode 5 just came out this week!) it’s a huge honour and, well, a huge surprise! It’s been a fun ride so far, chatting to lots of our favourite kids’ book creators, reading and reviewing amazing books and laughing way too much. Our latest episode features authors Zanni Louise and Tristan Bancks, and it’s all about ideas. You can have a listen here.

2

Quark’s Academy, the debut kids’ book by Catherine Pelosi is out! It launched with a bang (er, literally) in a science experiment-filled extravaganza at Sydney bookshop Lindfield Learning Hub. There were super cool Quark’s themed cupcakes, too (which were much too pretty to eat). Oh, and the book is AWESOME! It’s a fun middle-grade read about three kids whose inventions win them a place in the exclusive Quark’s Academy for young scientists, where all isn’t quite as it seems. Fast-paced and visual, Quark’s Academy is a suspenseful ride with kooky characters and inventions, and wonderful, natural writing. Catherine is in my writers’ group (the chapter book one) so it’s super exciting to see her books come to life. And Something for Fleur, Catherine’s picture book illustrated by Caitlin Murray, is on its way!

Quarks launch cupcakes!

3

Super cute bookish mail alert – the other day I received a handmade mini-book by Zoe Collins, also known as Hoodlum Friends. I love her quirky illustrations and way with words, and all her behind-the-scenes shenanigans at Girl & Duck and Scribbles HQ. Her book stars a lonely little bird and it’s whimsical and adorable. And it came in a handmade collage-ish envelope to boot. Thanks Zoe!

4

A new picture book love by Jane Godwin and Anna Walker – Go Go and the Silver Shoes! This is totally my kind of story – filled with heart, adventure and a hefty dose of quirk, Go Go is about a girl who wears mostly hand-me-downs, but gets to choose her own shoes. Silver shoes! She wears them everywhere she goes, until one day, disaster strikes. It’s an ode to being unique, special things and finding like-minded friends. The illustrations are stunning (it’s Anna Walker, so goes without saying really). I heart Go Go!

5

And my fifth fun thing is … a writing award! I’ve just won first place in the chapter book category of the Greenleaf Blossoms competition (for the first chapter of an unpublished manuscript). The competition was held by Greenleaf Press, and I’ve scored a manuscript assessment by its owner and prolific children’s author Aleesah Darlison. Yay!

Greenleaf Blossoms announcement

Writers’ Unleashed Festival 2017

 

Writers’ Unleashed Competition – with Zoe Walton, Rebecca Sheraton and Sue Whiting (pic: Ramona Davey)

Exciting times at the Writers’ Unleashed Festival, a one-day writers’ fest in Sydney’s ‘The Shire’ – not only did I get to experience a day immersed in the world of books (and book lovers), but placed in a picture book comp! Somehow, twice!

The competition results were announced by the judges of the shortlist, Zoe Walton of Penguin Random House and Sue Whiting (ex-Walker Books, author and editor). The lovely Rebecca Sheraton was the winner, and two of my manuscripts placed second and third. A member of one of my writers’ groups, Colleen, was shortlisted too, adding an extra level of yay. It was an exciting (if knee-shaky) moment accepting our awards in front of the whole conference, especially when there was a paparazzi-like swarm taking our pics afterwards (mostly writers’ group friends, but still, SCARY!).

It’s funny, some people have asked me, ‘So, what was the prize?’ as though prompting for details about piles of sweet, sweet cash and a gazillion-dollar publishing deal, but the real prize (for me, anyway) is encouragement to keep going.

 

Pic overkill alert! Colleen, me and Rebecca (pic: Amelia McInerney)

Tips from the festival sessions

Aside from the comp announcement, there were some great sessions like Sandy Fussell‘s talk on all things tech and social media for writers (she’s a fan of apps like Trello, Feedly and buffer to schedule posts). YA author Sarah Ayoub spoke about creating relatable female characters, with a focus on identity and diversity. She made an excellent point about not taking away someone else’s chance to tell their story, but instead, weaving in diverse secondary characters. And there was a fantastic picture book masterclass held by Sue Whiting. Some of her key tips include recording yourself reading your manuscript aloud to discover the clunky bits, figuring out what your story is about at its core so every word can drive the story, and to be specific about details to develop your characters and make your story stand out (she used Gus Gordon’s Herman and Rosie as an example, where even a yoghurt flavour is mentioned). Children’s author and everyone’s favourite podcast host Allison Tait was there too, talking strategies on making time to write (which I sadly missed). By all accounts it was excellent. Overall, an inspiring (and encouraging!) day.

A round-up of writerly things: May-July 2016

CYA Conference 2016

 

There have been so many fun, inspiring writerly things in the last couple of months, from writers’ festivals and conferences, to competitions, courses and (I think) Australia’s first Twitter pitch-fest!

Alice Pung & Sofie Laguna, Sydney Writers’ Festival
In May, I saw authors Alice Pung and Sofie Laguna in conversation at the Sydney Writers’ Festival. Their discussion spanned writing from different perspectives, whether it be from a child or teen’s point of view, to a character who thinks in a different kind of way – a voice Sofia Laguna nailed with The Eye of the Sheep’s narrator, Jimmy. I loved hearing about Alice Pung’s own background and how it informs her stories (with more than a touch of her life experiences drawn on in her YA novel, Laurinda), and how Sofie came to set The Eye of the Sheep in Melbourne’s industrial outer suburbs. (I highly, highly recommend this book by the way!) Their chat pretty much reinforced my fangirl love for both of these authors, and guaranteed I’ll purchase anything else they write!

Twitter pitch contest
Then there was the Twitter pitch contest, a mainstay of the US writing scene but pretty much non-existent here – until now. Children’s author and organiser extraordinaire Aleesah Darlison initiated the comp (held by the NSW Writers’ Centre, enhanced by their GIF superpowers), where you basically had to pitch your book in 140 characters or less for an agent to sift through and shortlist. I loved the challenge of distilling a story into such a compact form, and it was just as fun reading all the other pitches. Excitement levels peaked when some of my critique group members (Kate Simpson and Catherine Pelosi) were shortlisted. The eventual winners were Selene G for her YA pitch, and Laura Greaves, who was fast tracked to the live pitching session at the Kids and YA Festival for her picture book.

Pitching seminar @ NSW Writers’ Centre
I then attended a pitching seminar with freelance editor Laurel Cohn at the NSW Writers’ Centre. One of the most fascinating aspects of the session was seeing some examples of real-life successful pitches that lead to publishing deals. One of them was for Samantha Turnbull’s junior fiction series, The Anti-Princess Club – she was contacted by Allen & Unwin TWO HOURS after submitting it to their Friday Pitch slushpile(!) Ultimately, Laurel’s advice was to distill your story to an ‘essence sentence’ and build on it from there to develop a blurb, a 1-3 sentence response to ‘what are you writing about?’ and a longer synopsis. While the session was probably more applicable to written pitches, there was advice that could be applied to other pitch types too (verbal, Twitter etc.).

Kids & YA Festival, NSW Writers’ Centre
The Kids & YA Festival is held every two years at the NSW Writers’ Centre. This was my second time at this day long inspiration-fest. Again, Aleesah Darlison did a great job of curating panel sessions on everything from picture book publishing to overseas rights, to all things YA and what publishers want. The day began with a keynote address by author Tristan Bancks, a hilarious and engaging speaker passionate about inspiring kids to write their own stories, traversing the digital world (exploding chicken-off, anyone?) and spreading the book love to developing countries via his charity work. His anecdotes about tapping into his own childhood stories to use in his My Life books was lots of fun.

The picture book panel featured EK Books author Katrina McKelvey, who spoke about her random ideas at the worst possible times (apparently there are waterproof notebooks for shower-thinking, who knew?!), Andrew Daddo on the often drawn-out path to publication (his first book took five years), to the lovely Meredith Costain and Aleesah Darlison. All of these speakers were down to earth, and I was particularly impressed with how, well, normal Andrew Daddo came across. It’s easy to be dubious about the celebrity-turned-children’s book author, particularly if it’s clearly a one-off, ego/CV boosting project, but Andrew came across as the real deal, committed to writing books and grappling with similar issues to the rest of us.

The overseas rights panel demonstrated the importance of backing yourself. Jacqueline Harvey self-funds international trips to promote her Clementine Rose and Alice Miranda books, while Michelle Worthington is very driven when it comes to social media marketing. Susanne Gervay is all about both, and emphasised the importance of having industry contacts. Sophie Masson shared some fascinating insights into different markets, such as Korea being a much more receptive market to overseas kids’ books than Japan, for example.

Next was a seminar about industry networking with children’s authors Sandy Fussell and Susan Whelan. They discussed how immersing yourself in the industry in the forms of volunteering, book reviewing, mentoring, critiquing and social media networking can all be beneficial – not only for your own contacts, but for giving back and getting to know fellow writers. They both came across as such warm, genuine people with a passion for kids’ books and the industry in general.

The YA panel featured the ridiculously accomplished Steph Bowe and Will Kostakis, who were first published as teens, more from Tristan Bancks and insights from Dave Burton. Chaired by Adele Walsh of the fabulous Twitter handle ‘@snarkywench’ the panel touched on everything from tapping into the turmoil of the teen years to achieving longevity as a writer.

The publishing panel was a popular one, featuring Anouska Jones of EK Books, Holly Toohey of Penguin Random House, Rochelle Manners of Wombat Books and Tara Wynne of literary agency Curtis Brown. Topics included how they approach their slushpiles, hot topics in children’s books, what they like to see in submissions, and the upcoming titles they’re looking forward to. All very insightful, and at times, amusing (do not send ‘wombat’ books to Wombat Books!). Also – Tara Wynne believes people are born with an X factor, and will blacklist for errors in submissions (no pressure, people!). I just love listening to these types of panels – you gain insights into the personalities and quirks of publishing people. All very insider-y.

CYA Conference, Brisbane
This year’s CYA Conference was bigger, brighter and buzzier than ever, from the record number of attendees to the winning light box and balloon props. Along with the whole learning aspect, CYA is such an amazing event for connecting with other writers and creators. It was so nice to chat with some writers IRL who I knew (or knew of) from orbiting the same patches of kidlit cyberspace, like the lovely Dimity Powell and Kaye Baillie. And I met a fellow student from my MA course at Deakin, Melbourne-dwelling YA writer Alex Fairhill – so fun to connect after critiquing each other’s work and chatting online during our course!

We heard hilarious anecdotes from author James Phelan (hipsters, tanks – you had to be there, really, but I was doing that thing where you realise you’re laughing more than anyone around you), an in-depth look at picture books with author Katrina Germein (the key is rule-breaking!), and a super-intriguing ‘first page’ panel where publishers revealed what would or wouldn’t compel them to read a manuscript further.

The CYA Competition results were also announced, for manuscripts and illustrations across categories ranging from pre-schooler picture books to YA novels. It was exciting to see a bunch of people from my writing group represented. Kim Astill and Catherine Pelosi both came 1st (PBs and JF, respectively), and Nat Amoore came third for her MG novel. And I came 3rd for a non-fiction picture book! Also, yay for Rachel Noble and everyone else who placed. Encouraging all-round!

What’s next?
Next on the event agenda is the Sydney-based SCBWI Conference in September. Like the Kids & YA Festival, this one’s only held every two years. It’s my first time attending – cannot wait! In the meantime, it’s back to obsessing over all the books and writing a thing or two.

KidLitVic 2016 (Part 2)

There were so many thought-provoking topics discussed at KidLitVic (see Part 1 for an intro), from gender and diversity in children’s books to what publishers are looking for. Did you know:

  • Picture books are submitted to publishers in far greater quantities than other types of kids’ books (junior fiction and beyond). For example, Melissa Keil of Five Mile Press said for them, it’s around a 30:1 ratio.
  • There is a need for more children’s books featuring female protagonists. From Melissa Keil: only 1 in 11 of their current picture books feature a female lead character(!)
  • There are exceptions to every ‘rule’. For example, picture book authors are commonly told the publisher will source the illustrator, however in the case of Scribble (a new imprint by Scribe), publisher Miriam Rosenbloom said they actually like being approached by an author/illustrator pair.

More from the panels:

  • Other interesting revelations from the Picture Book panel (Melissa Keil, Miriam Rosenbloom and Maryann Ballantyne from Black Dog Books) included picture book word lengths not always mattering (i.e. you don’t necessarily have to stick to the under 500 word guide most often mentioned). You can also submit 2-3 manuscripts at once.
  • The Chapter Book/Middle Grade panel, featuring Clare Hallifax (Scholastic), Marisa Pintado (Hardie Grant Egmont) and Michelle Madden (Penguin Random House), discussed the idea that boys will read chapter books featuring girls, but may feel social pressure to hide it. All revealed their penchant for publishing non-gender specific characters and concepts, however Clare Hallifax commented that young readers often want something gender specific. ‘I hate it, but it is a reality,’ she said.
  • Marisa Pintado and Michelle Madden prefer chapter books that are part of a series, however Clare Hallifax doesn’t mind standalone titles, especially if they can later be packaged with other books by the same author.
  • For illustrators, showcasing your work on websites like The Style File is invaluable. The Illustration panel (Jacinta di Mase (literary agent), Kimberley Bennett (Random House) and Suzanne O’Sullivan (Lothian/Hachette) mentioned they visit this for ideas and sourcing talent.
  • In the world of YA, paranormal is out. Lisa Berryman of HarperCollins said she receives ‘too much fantasy and paranormal’, while Elise Jones of Allen & Unwin said ‘publishers and booksellers are sick of dystopian’, even if readers aren’t yet.

There is so much more I could tell you – but if you write or illustrate children’s books, you might just have to come to the hotly anticipated 2017 event! A few more attendees have done some fabulous write-ups too:

  • Sylvia Morris includes some helpful links on permission protocols if writing from a cultural perspective that’s not your own (with some specific advice relating to indigenous content)
  • Ramona Davey features some great snapshots of what each of the presenters like (oh, and a pic of our lovely critique group too 🙂 )
  • Megan Higginson has a detailed, fly on the wall account that will make you feel like you were there, even if you weren’t

KidLitVic 2016 (Part 1)

Chapter book and middle grade panel at KIdLitVic 2016

I thought I’d recap some highlights from KidLitVic 2016 before I descend into a post-conference, hot chip and gravy scoffing pile of exhaustion *may be too late*.

This was the first ever KidLitVic conference, also known as ‘Meet the Publishers’, put on by children’s authors Alison Reynolds, Dee White and Jaquelyn Muller, and illustrator Nicky Johnston (who all did the most amazing job). Held in Melbourne’s State Library on 7 May,  it was a day full of insightful panel talks on everything from picture books through to YA, featuring some of Australia’s top children’s publishers. There was an illustrator showcase, one-on-one feedback appointments with editors/publishers/an agent plus pitching sessions, all followed by a cocktail party. So, what did we learn? Gazillions of things (like, hardly any guys come to children’s writing festivals, haha!), but I came away with a few strong overall messages:

Think commercially

This was reiterated again and again. Your writing might be good, but if your book’s not marketable it won’t be picked up. As a writer (or illustrator) you have to think beyond the story you want to tell to whether it will sell. This is the reality of publishing. So, the more insights you can gain into what publishers and the market want, the better.

You are your brand

Self-promotion in the form of social media and everything internet, along with events like writers’ festivals, school visits etc. are all part of being an author. Clare Hallifax of Scholastic said ‘you do become a brand’ and ‘there is a huge need for authors to be self-promoting’. Michelle Madden from Penguin wants ‘a person who can empathise with gatekeepers’.

Write all the books

Publishers are not interested in one hit wonders. Many said that they want to know you have (and can) write lots of books – that you’re worth investing in. Marisa Pintado of Hardie Grant wants ‘an author ready to write lots of books’. Publishers want career authors, not someone who’s rustled up a manuscript and just wants it published, with no intention of a book-creating future.

More to come in Part 2!

Picture Book Idea Month 2015

piboidmo2015participant

 

Because NaNoWriMo isn’t enough of a writing challenge each November, there’s a simultaneous challenge particularly for picture book writers. Enter PiBoIdMo, the brainchild of US picture book author, prolific blogger and motivator of all the picture book people, Tara Lazar.

The premise sounds simple on the surface – think of an idea for a picture book each day in November (and perhaps win prizes like books and manuscript critiques in the process) – yet in practice, conjuring ideas on demand (well, good ones) is no easy task. If you succeed, you’re left with a bank of ideas to refer to over the following months to develop into manuscripts. After loving last year’s challenge I’ve signed up for a second round, and if even one good idea shines through, it’ll be worthwhile.